Working with the archive has become almost ubiquitous for most contemporary documentary filmmakers, resulting in issues around access and financial availability of this material becoming quite commonplace.
Delving into the practical issues facing filmmakers in their endeavours to implement fair use when licencing archive for non-fiction work, experts in this field will consider how best to astutely engage with fair dealing, implementing it legally and pragmatically, as well as deliberating on options for improving the system to facilitate creative exploitation of archive in an ever-shifting copyright landscape.
Archive Producer & Visual Researcher
Creative Director, UK Copyright and Creative Economy Centre (CREATe), University of Glasgow
Director, The Afterlife, Beyond Clueless
Producer, To the Moon